Welcome to 'Mixing With Your Mind'  author's website as featured in AudioTechnology

MIX magazine and Sound on Sound.

Two years in the writing, 20 years in the making - Stav's book of Closely Guarded Secrets of Sound Balance Engineering. Browse through the pages, have a look and a sniff. Hope you like it.

Foreword by Sir George Martin

This book is a remarkable insight into the most important piece of equipment in the recording studio - the human brain. ... you can improve your performance, no matter how good you are already.

Chapters To see sub-headings, click chapter.
	Foreword			The Art of Mixing
	Introduction			Your Reference CD
	Setting up the studio - Keep Your Distance			Doorway to Heaven
	Tuning Your Loudspeakers			Vocals too Hot to Handle?
	Advanced Microphone Techniques			No Cans Do
	That Killer Drum Sound			Backwards Mixing
	Electric Guitar Magic			The Time Machine
	Piano Techniques			Gravity's Effect on Music
	Super Star Lead Vocal Sounds			Ear Care
	Cracking Compressors			Hit Record Formulae
	Digital vs Analogue			Why London?
	Mixing & Meditation			FAQs from Stav’s Private Email Collection
	Glossary of Stavisms			About the Author

Mixing With Your Mind is beautifully printed on archival paper, sewn for durability, and bound in hard covers with a ribbon marker for easy reference.  (spared no expense)

Get Book NOW !

Is this book right for me?

Are these Testimonials from
sound engineers like you?  ('Testimonials')

Read Stav's Introduction - for a tour of the book.

If you missed Stav @ INTEGRATE invite Stav to create

a special presentation or workshop for your group!

Stav enjoys brainstorming with you over studio conundrums.
Once you're on his list you get a 'Mentor for Life'

when buying MWYM from here:

www.mixingwithyourmind.com  - the authors website

DIRECT from the author is the fastest (& cheapest) way to get book to anywhere on Earth because it ships direct from Stav within 24hrs (& Stav sells it for $20 less than RRP).

Digital Speak vs Analog Speak

You'll notice that throughout the book I talk as though the signal path is analog. This is intentional because digital, at its very best, merely strives to be analog. So the sooner you get your head thinking analog the closer you'll be to understanding audio and producing great sounds. Stav